Sirius' creation is the expression of the basic, of the simple, of total aesthetic reduction until only the purity of forms enhanced by light can be seen.

The sober aspect of the apartment's architecture is broken by the curvilinear format of the interior walls and the design. A curved wall, centralized in space, separates the living room and kitchen, while at the same time they are connected on both sides, creating a free and unobstructed circulation.

With a privileged view of the sea, the dining table, with chairs designed by Hans J. Wegner, is positioned at an intersection point between the rooms, where any visual blockage is eliminated by the wide viewing angle.

The use of neutral and light colors, in different tones and textures, contrasts with the warm tone of the wood used in the muxarabi panels that divide the only two sectors of the apartment. The hollow configuration of the panels provides permeability between the rooms, filtering natural light, while strong, dark tones highlight the design of certain architectural elements and furniture pieces.

Sharing space with an office, closet, and bathroom, the suite follows the same concept as the rest of the apartment, transmitting unity and continuity through its minimalist aesthetics, so that it is possible to walk through the different areas without major interruptions.

As an extension of the horizon marked by the large openings in the building's façade, the architecture touches the amplitude of the sea, with its design either loose through organic shapes or limited and pre-determined by simple geometric shapes, in an intention to reproduce the free condition and unimpeded character of the ocean's sands.